A SEED
__________
TYPE : Journal, transitory terrain of research
TYPE : Journal, transitory terrain of research
DATE : Continuous
LOCATION : EARTH
CARTOGRAPHY OF THERE :
2022 - black ink and white pencil on thick hemp paper 56x78cm
BIOSPIRITUALIS :
This in situ installation in the mountain massif of Chartreuse during winter 2022 is a sculpture made of wood and raw linen yarn (biodegradable). It represents a portal to an invisible world. This installation almost does not have human spectators, especially in this forest in the middle of winter. It is made for other living creatures, animals and imaginary and invisible entities. It is also made for and with the Wind and the trees. What the human can see, it’s its trace, the photograph. This sculpture is made to be ephemeral : it questions what stays, what passes through. What does the trace of the human leaves in a natural environment ?
INSTALLATION IN SITU, wood and raw linen yarn, mountain massif of Chartreuse, winter 2022.
CLAMOR :
INSTALLATION 24 :
“This is a gaseous installation : an art of experience, of atmosphere. The participation to the installation is about sensations, a form of non-action (would that make it a non-capitalist action?), where the walk becomes the main form of participation.”
The exhibition takes place in an abandoned hall. I invested the space with the work “Installation 24”. This piece, a work in progress more than a finish fruit, is a installation merging material reality and digital matters.
Are we inside the representation of the space ? Are we in a digital land ? What lies and what could emerge offscreen, outside the image ?
On the wall, a black and white photograph of a forest, view from the ground. The visitor walks in a small landscape made of rocks and trees in front of this photograph. The floor is a another photograph, reduced to big blurry pixels, of a face behind a black veil : this is the trace of a witch, or perhaps the spirit of this forest, present within each step, without being really visible.
This installation includes changes of light, coming from outside the scene. The changing lights are made from different colours, changing the feeling and the experience of the space, of the installation.
This is a gaseous installation : an art of experience, of atmosphere. The participation to the installation is about sensations, a form of non-action (would that make it a non-capitalist action?), where the walk becomes the main form of participation.
THE GATE :
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3D modelisation.
This is :
◉ A ceremonial magical circle in a forest not [yet] known and destroyed by humans ◉ 13 rocks in levitation ◉
◉ This image is an extract of the imaginary movie “THE GATE” (7:46) ◉ Scorpio Season waning crescent in Leo 2021 ◉
NO KING IN THE PLANT’S WORLD :
Reseach for the project archium of trees
2022 - mixed medias : painting, ink, charcoal, archives documents, collages.
ARCHIUM OF TREES :
2022 - mixed medias : analog photographs and dark room print, painting, words, archives documents, collages.
NETWORK :
Triptych, research for the project archium of trees
2022 - mixed medias : painting, ink, charcoal, collages, 50x65cm/each.
XV :
Research for the project archium of trees
This is a research on movement, matters and textures. I’m exploring the movement/s of the immaterial networks and life forces from the forest, within trees and in between them. I’m trying through the movement to distance myself from my human perception and to enter the world of the non-human/s, to contact another sensitivity, awareness, and consciousness. I explore - traverse something.
2022 - oil painting on paper, digital collage made with a plant photograph taken during last summer in a field, 50x65cm.
